How the Light Gets In

Black and white diptychs, analog and digital film images, ongoing

Each diptych holds two states together: a figure dissolving into butterflies, a body reaching toward stone beneath the clouds, a hand extended toward a flower beside a ghosted figure. Neither image is complete without the other, and the figure is never fully resolved. Analog and digital images meet in each pair, one more way of holding two things at once. The title points to the crack or opening where something unknown enters. These images stay at that threshold.